JaneMansfield

YOUR TIME MACHINE TO THE PAST!

FILM

JAYNE MANSFIELD

Jayne Mansfield (April 19, 1933 – June 29, 1967) was an American actress working both on Broadway and in Hollywood. One of the leading blonde sex symbols of the 1950s,^[1] Mansfield, like Marilyn Monroe, was a Playboy Playmate of the Month, and appeared in the magazine several more times over the years. She won the Theatre World Award, Golden Globe and Golden Laurel. Mansfield starred in several popular Hollywood films that emphasized her platinum-blonde hair, hourglass figure and cleavage-revealing costumes.

Though Mansfield's career was short-lived, she had several box office successes. As the demand for blonde bombshells declined in the 1960s, Mansfield was relegated to low-budget melodramas and comedies, but remained a popular celebrity. In her later career she continued to attract large crowds in foreign countries, and in lucrative and successful nightclub tours. Mansfield died in an automobile accident at the age of 34.

Mansfield, of German and English ancestry, was the only child of Herbert William and Vera (nee Jeffrey) Palmer. Her birthname was Vera Jayne Palmer.^[2] A natural brunette, she was born in Bryn Mawr, Pennsylvania, but spent her early childhood in Phillipsburg, New Jersey. When she was three years old, her father, a lawyer who was in practice with future New Jersey governor Robert B. Meyner, died of a heart attack while driving a car with his wife and daughter. After his death, her mother worked as a school teacher. In 1939, when Vera Palmer remarried, the family moved to Dallas, Texas. Mansfield's desire to become an actress developed at an early age.

In 1950, Vera Jayne Palmer married Paul Mansfield, thus becoming Jayne Mansfield, and the couple moved to Austin, Texas. She studied dramatics at Southern Methodist University and the University of Texas at Austin. While attending the University of Texas, she won several beauty contests, with titles that included "Miss Photoflash," "Miss Magnesium Lamp" and "Miss Fire Prevention Week." The only title she ever turned down was "Miss Roquefort Cheese," because she believed that it "just didn't sound right." In 1954, they moved to Los Angeles and she studied dramatics at UCLA.

Mansfield's acting aspirations were temporarily put on hold with the birth of her first child, Jayne Marie Mansfield, on November 8, 1950 at the age of 17. She juggled motherhood and classes at the University of Texas at Austin, then spent a year at Camp Gordon, Georgia during her husband's service in the United States Army. She attended UCLA during the summer of 1953 then went back to Texas for fall quarter at Southern Methodist University. In Dallas she became a student of actor Baruch Lumet, father of director Sidney Lumet and founder of the Dallas Institute of the Performing Arts. On October 22, 1953, she first appeared on stage in a production of Arthur Miller's Death of a Salesman.

Frequent references have been made to Mansfield's very high IQ, which she advertised as 163. She spoke five languages, and was a classically trained pianist and violinist.^[3] Mansfield admitted her public didn't care about her brains. "They're more interested in 40-21-35," she said.^[4]

http://en.wikipedia.org/wiki/Jayne_Mansfield

Jayne Mansfield was arguably the most exhibitionistic of all the movie glamour girls. In her publicity photographs Jayne revealed more of her body than any other star and gave the impression that she really wanted to show her breasts completely. Shortly after Jayne's horrific death Diana Dors, a frequently mischievous and occasionally malicious raconteur who knew Jayne quite well, said that she thought eventually Jayne would have become a stripper as her career declined. More charitable judgements came from other actresses. In "Second Act" Joan Collins tells how startled she was by Jayne's lack of inhibition while Anita Ekberg, describing Jayne as a friend, said she was far more intelligent than anyone realised and was in fact quite small. Jayne was certainly not small in every way. Her figure was spectacular although variable, ranging from 36.19.35 to 40.22.37, and brought her enormous media attention.

Jayne made no secret of loving that attention. During her period at 20th Century Fox, when it seemed she might become a big star, she surprised hardened show business professionals by being always available for interviews, always willing to make personal appearances, always ready to participate in publicity stunts. No journalist, even from small local papers, was ever denied access to Jayne, and she was never too busy to attend even the most obscure and humble event. All was grist to Jayne's publicity mill. No tactic was too impudent for her, no neckline too low, no stunt too embarrassing. Whether losing her bikini top at a Jane Russell movie premier or gatecrashing Sophia Loren's Hollywood welcoming party at Romanoff's, Jayne grabbed headlines unashamedly.